Remapping stories of shared connection through dance
Listening and feeling the sounds of mother earth is at the heart of a dance piece co-choreographers say has the power to heal.
Listening and feeling the sounds of mother earth is at the heart of a dance piece co-choreographers say has the power to heal.
The only university in Queensland to offer a dance qualification isn't taking new students. But with the Olympics in 2032, it will need more dancers than ever.
A 17-year-old Indigenous circus performer has big dreams for her future in acrobatics, while also giving back to the community that has supported her journey.
The phenomenon of light is central to Bangarra's 2025 production, Illume, and marks the first collaboration between the troupe and an Indigenous visual artist.
Aussie Olympic breakdancer Rachael "Raygun" Gunn says she has needed support after the international fallout from her controversial performance in Paris.
The Australian Ballet's 2025 season features two world premieres, by Stephanie Lake and William Forsythe, and the return of Nijinsky, Manon, and Carmen.
Queensland Ballet's academy faces the prospect of closure, say the dance company's leaders who are calling for more federal funding to ensure its survival.
The Deaf Indigenous Dance Group was formed in 1997 by two young women who wanted to show that they could dance. A new exhibition celebrates its history.
Circle Electric, the latest piece from internationally acclaimed choreographer Stephanie Lake, will debut with the Australian Ballet at the Sydney Opera House.
Sea level rises forced a group of Torres Strait Islanders to mount a legal challenge to Australia and their story has sparked a new dance work.
The Queensland Ballet has named its first female artistic director, Leanne Benjamin, to replace Li Cunxin.
Events are being held all around the country to mark NAIDOC Week, the annual celebration of Indigenous cultures. This year's theme honours the roles of elders.
The world's best-known ballet will take on a new life as a chaotic display of acrobatics when a circus company Circa premieres its reimagining of Swan Lake.
Li Cunxin, the acclaimed ballet dancer and author of Mao's Last Dancer, is retiring as artistic director of Queensland Ballet following ill health.
Wanida Serce's new show Betwixt, for the Adelaide Fringe, combines spoken-word poetry with street dance.
Sani Townson has choreographed a new work for Bangarra Dance Theatre that explores the bloodlines and totems of Indigenous people.
A aerial dance duo from New Zealand are bringing their upside-down spectacle to the Sydney Festival in a show that evolves with each performance.
When Shane Placentino's 16-year dance career ended, he segued his movement-based skills into assistant directing and creating choreography for operas.